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[Reviewed by: Danny Moltrasi]

“I’m a lot stronger than you think.”

Let Me In, was seen as the perfect example of a remake of a non-English speaking film that was utterly, utterly pointless. And to tell the truth, in many ways that point is still completely right. However, Let Me In and its director Matt Reeves have a film that balances keeping enough of the original theme and tones, while also going a small way to legitimize the film as a stand-alone piece of cinema. It is far from perfectly, and in my opinion not as good as the Swedish original, however it is still, in its own way, a good film, and a good piece of horror. Read the rest of this entry »

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[Reviewed by: Danny Moltrasi]

"I dont think you guys should break up."

The Kids Are All Right, is a film that may end up being looked back in history as a fairly important film. It looks all set to do well in the award season, with Oscar buzz being around it for most of the year now. It also gives us a film where the two parents happen to be lesbians, but the key point here is that, in fact, this is not the key part of the film. Our characters just happen to be lesbians. This is rather, a film about parental relationships being shaken up by the introduction of another man into their family, rather than a film about a lesbian couple. The Kids Are All Right is far from perfect, but it is a good, well rounded film, with a very good heart. It seems likely to take the Oscar Best Picture spot for the quirky, ‘independent film’ that has recently been given to the likes of Little Miss Sunshine, Juno and Precious. It is debatable if these films are better or worse than The Kids Are All Right, but I think it is safe to say that The Kids Are All Right will be remembered for a longer time. Read the rest of this entry »

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[Posted by: Martin Keller]

Over the past couple of years there’s been a lot of reporting on how our access to television and film has been shifting from the traditional model.  Instead of films taking the typical, theater-to-home video route, more films are going straight to DVD. OnDemand viewing is another new medium and has not only become an alternative for viewers who would normally wait for a DVD release or go to the theaters, but it has become a viable distribution option for independent and foreign filmmakers.  One notable OnDemand program is IFC‘s, premiering movies OnDemand the same day they premiere in theaters. There’s redbox, which allows you to rent a movie at a dollar a day, vastly undercutting the typical video store.  Another shift, and probably the most indelible, is Netflix.  The DVD-by-mail model has undoubtedly changed our viewing experience, giving us access to an almost innumerable amount of movies and television for a nominal monthly fee.  Further compounding the benefits of this model, is the ability to watch content directly through your computer, video game console, or television.  Also, while there have been arguments that the quality of films is going down (or at least not rising), the quality of television has certainly ascended with the resurgence of dramatic serials on HBO and AMC, and some better written sitcoms like Community and the short-lived but oft praised, Party Down.  It seems to me that for once, things are weighing in favor of the viewer and consumer.  It’s becoming a buyer’s market. Read the rest of this entry »

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[Posted by: Justin Wagner]

Woody Allen has always been a busy filmmaker, showing astonishing productivity and consistency throughout his career, and while in the 80’s he made 10 films, it was still one of his least fruitful decades. During the ending of the 70’s – beginning with Annie Hall – he ventured into a more sophisticated, dramatic comedy that would hint at the future filmmaker he would become. A year later he released Interiors which marked the first time he would direct a dramatic film. While these changes in style were new to Woody Allen, he would advance upon these changes very successfully in the 80’s with his increase of comedy/dramas and his new leading lady, Mia Farrow. Though the 80’s showed him making some of the best films of his career, it also was the start of him making bad films, or as bad as a Woody Allen picture can be. Let’s take a look at the best films Woody Allen has to offer from his career in the 80’s. Read the rest of this entry »

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[Reviewed by: Eric Raymer]

Slashers didn’t always used to be predictable, watered-down, remakes targeted at teenagers. Okay, maybe that’s not entirely true. But when they’re at their best, they possess a manic energy and dark sense of humor that doesn’t have to resort to self-aware, tongue-in-cheek laughs (Scream franchise, I’m looking at you). Adam Green’s Hatchet was a throwback to the best slashers of the eighties, and it succeeded in capturing their spirit. However, sequels in this genre don’t usually turn out so well. Can Hatchet II pull it off? Read the rest of this entry »

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[YouTube=”http://www.youtube.com/watch?v=_6Afc2uzw4g&hd=1″ &w=640&h=385]

[Posted by: Alex Miller] [Via: SR]

All-New Tron: Legacy footage combined with some awesome music from Daft Punk…what’s not to love? Don’t forget to check out our review of the original Tron.

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[Posted by: Alex Miller]

IESB is “reporting” that a new Star Wars trilogy is in the works:

“The ideal plan, according to our spy at Skywalker Ranch, is to be able to release a new Star Wars film within 24 months after the release of the last re-re-release (is that right?) of Return of the Jedi 3D. Too early for story details but one thing that our source is certain about, they will not be prequels but instead sequels. It’s not for certain if they will be the long awaited Episodes 7, 8 and 9 but could instead be Episodes 10, 11 and 12 or possibly even further out in the Star Wars timeline. And by giving space in the timeline, possibly even as far as 100 years or 1,000 years in the Star Wars universe future, Lucas avoids having to make these stories “fit in” with what the previous stories have told.” Read the rest of this entry »