Posts Tagged ‘naomi’


[Reviewed by: Alex Miller]

Perhaps one of the best examples of how bad the Academy is at picking the best film of the year, Mulholland Dr. was not even nominated for Best Picture in 2001. Instead they chose Ron Howard’s competent but all too formulaic and forgettable A Beautiful Mind that year. Although Director David Lynch (The Elephant Man, Dune, Lost Highway) did win Best Director at Cannes, it took time for some people to give the film the acclaim it truly deserves. It’s understandable in that if there was ever a film that DEMANDED repeat viewings it is this one. It is the first and only movie I have ever watched and then immediately rewinded and watched again (mind you it’s a 2.5hr long movie). I was interested but confused the first time, understandably so I think. The second time I wanted to go erect a statue in my yard in dedication to this cinematic achievement. If you missed out on this film when it came out, STOP READING as it is impossible to discuss this movie at any level of detail without completely ruining it for you. Go watch it, then read this, then go watch it again. (more…)


[Posted by: Justin Wagner]

Our Toronto International Film Festival Preview series features the best films that will be shown at the prestigious film event to be held Sept 9-19th. Our first edition highlighted the Japanese film Norwegian Wood. Today Justin Wagner takes a look at the highly anticipated new Woody Allen film, “You Will Meet A Tall Dark Stranger”.

Four decades strong and 40 films deep, Woody Allen has one of the most immense and impressive filmographies of any director.  To add more to his résumé, Allen has the most screenwriting nominations at the Academy Awards (all of which are “Best Original Screenplay”), his screenplay for Hannah and Her Sisters was the first ever screenplay to be considered for a Pulitzer Prize nomination, and he is one of the three directors to ever receive the Palme des Palmes.  In recent years,though, Woody Allen has been making some of his least interesting work.  Known for taking the best bits from classic films, condensing them, and making them just as good, if not better, than what he is taking from, Woody has for the last ten years or so just been making rehashes of his old New York inspired films.  On Allen’s 41st film, he retreats back to his recent muse, Europe, but with a script that seems to be “classic” Woody Allen. (more…)